Friday, June 26, 2015

Ten best noir novels of the 21st century

Eric Beetner has a pretty good list. I've read five (Starr, Phillips, Zeltserman, Rector, Max Phillips), and also two of the ones bubbling under (Megan Abbott and James Sallis).

Tuesday, June 23, 2015

Megan Abbott interviewing Patti Abbott

I really loved this small item: Megan Abbott interviewing her mother, Patricia Abbott, on their family reading habits, her (Megan's) tuition into crime fiction and lots of other matters. I still have Patricia's first novel, Concrete Angel, to read, but I will in the near future.

Monday, June 22, 2015

True Detective's opening credits

I know this is starting today in the US and also in different streaming sites around the world, but I'll be lagging behind, I know. Just watched these credits today and all I can say is "vow!" Leonard Cohen's song is also very nice, atmospheric and gripping.


True Detective Season 2 Main Titles from Patrick Clair on Vimeo.

Sunday, June 14, 2015

Three flash stories by David Terrenoire

Been working my ass off lately, since I was commissioned to a write a non-fiction book in a month. The Spring of 2015 was otherwise a lazy Spring, I got only three books out, one of these being a self-published pamphlety thing. The other two were a reprint of an old erotic old short story by a Finnish writer called Larin-Kyösti and a collection of Reino Helismaa's adventure stories. There's also a recent collection of my stories written as by Jaakko Ensio, with private eye Mikko Jarmo as the hero, but it's only POD and the stories are light-weight fun at best. I have some two books coming still during the Summer, the other being a collection of jokes I edited and the collected works of Mikael X. Messi, my pornographic alter ego. More on this later.

Didn't mean to brag about my work, instead I was going to say a word about this: I just sent a book by David Terrenoire to the printers. It's a small, 16-page collection of his flash stories, called Hyvä naapurusto, after his story "A Family Neighborhood". Two of the stories, "Sacrifice and the ACC" and "The Fire", were earlier published in my crime fiction mag, Isku, but "A Family Neighborhood" hasn't been available in Finnish prior to this. "The Fire" was also published in Kaikki valehtelevat, the collection of the translated short stories that came out in Isku, and "Sacrifice and the ACC" is still coming out in a small book I put together from the stories I ran in Ässä, my flash fiction magazine. (More on that later.)

David Terrenoire is a very good writer whom I'd like to see getting more praise. His only novel Beneath a Panamanian Moon is a nice thriller, but we'd love to see more. He's very good at short lengths also, as these stories prove. Mind you, these stories were first published in the web in now-defunct on-line fiction mags, and I don't think you can find any of them anywhere. I was very happy to send two of the stories to David himself, as he'd lost his files they were contained in. (One of the stories I had only in Finnish translation, which was too bad.)

The cover is by me. I snatched the photograph from an old Finnish arms and ammunition mag I found in the trash bin.

I've got some other weird stuff cooking also. I've got a collection of Finnish aviation stories coming out, with four stories by one Maunu Jorva, about whom I know nothing, except that he wrote four expertly done aviation pulp stories in 1941.

Tuesday, May 12, 2015

Tuesday's Overlooked Movie: a few Finnish neo-noirs

Some weeks ago The Festival of Finnish Cinema showed some Finnish films that can be labeled as neo-noir. This was continuation from the last year's theme of Finnish film noir. Last year only films from the studio era were shown, now the films were mainly from the eighties and nineties, with one film from 1978 and one from 2011.

Kaurismäki: Crime and Punishment
The first one shown was Aki Kaurismäki's debut feature based on Dostoyevsky's Crime and Punishment. The film was made in 1983 and already shows the sureness of Kaurismäki. His style has changed somewhat after this, but it's still clearly his film. The spare narration, tight frames and the matter-of-factness of the dialogue are pure Kaurismäki. The film, taking place in Helsinki in the 1980s, is a bit like B-movie shot in only a few days, but it still packs quite a punch and remains one of Kaurismäki's best up to this day. Kaurismäki has some other films that could be labeled as neo-noir, such as Ariel, Hamlet Goes Business (even though it's pure comedy from the start) and I Hired a Contract Killer, in which a quiet man (Jean-Pierre Leaud) asks a hired killer to finish him off. There's also the TV movie Dirty Hands made from Sartre's play, which might also qualify, but I haven't seen it. 

Pauli Pentti produced and co-scripted and worked as assistant director in many of Kaurismäki's films, and he directed two neo-noirs in the eighties. Both were shown at the festival. Pimeys odottaa (Darkness Awaits, 1985) is perhaps the most quintessential Finnish neo-noir, strange drama of a young man who gets caught up in scheming and betrayal. The story unfolds a bit uneasily, but there's still lots of interest in the urbane film. Macbeth, made almost hand in hand with Kaurismäki Hamlet Goes Business in 1987, takes Shakespeare's nasty little tale into the late eighties' Helsinki. Macbeth in the film is the leader of the gang of criminals who rob empty houses and gas stations at the sea-side. The film is nicely photographed, but it's unfortunately marred by unclear narration of events. If you don't know the story beforehand, it's possible you don't really understand what goes on in Pentti's Macbeth

Pekka Hyytiäinen was an indie director, who made only three feature-length films two of which were shown at the festival. His first, Kirje (The Letter, 1978), was his most successful, as it was seen by 600 people when it opened! There are interesting elements in this psychological thriller, but the film is so slow there's actually no tension at all. Only glimpses of what was to come are seen on screen. Hyytiäinen's next, strangely titled 50-minute i + i (1981), is much more interesting. It's almost a collage of experiences in the life of a young man who's morbidly interested in suicide and dying. There's no coherent story line and it's difficult to tell what's going on in the film, as some of the film stock was almost destroyed by the laboratory, but the scenes were used nevertheless. i + i was seen by some 400 people in the premiere week after which it vanished almost completely. 

Hyytiäinen's best film, MP - minä pelkään (I Am Scared, 1983) was shown afterwards in the Finnish Film Archive's series, and it's ten or even hundred times more powerful than i + i. It's a dystopian horror tale set in a near future. There's possibly a war going on somewhere of which there are some really strange news on TV. A small family is trying to have a vacation at their summer cabin, and the reality and the dreams and nightmares of the family mingle with each other. MP is a very experimental film with some haunting imagery. It's an uneven piece of work (especially the actors are not up to their tasks), yet unlike any other film made in Finland, still it was seen only by some 300 people in 1983. After it was dug out from the archives some five years ago, it's been seen by more people than during its few weeks in the 1980s.

Tallinnan pimeys (The Darkness in Tallinn, 1993) by Ilkka Järvi-Laturi is more a suspense film than a proper neo-noir, but it was shown nevertheless, as it is not often seen and it's not out on DVD. I didn't watch the film at this time, but I saw when it came out. It's a well done caper movie set in Tallinn just after Estonia declared independence from Russia. Ilkka Järvi-Laturi's debut movie Kotia päin (Homeward, 1989) is also worth a look if you're interested in Finnish neo-noir, as is his History Is Made at Night (1999), but it's also so bad it practically ruined his career and he hasn't directed since. 

All the previous films were over 20 years old, but there was still one neo-noir more from 2011: Martón Jelinko's indie film Pystyssä (Indebted) that wasn't shown in Turku during its premiere week, so this was its proper premiere in this city. Jelinko, a Hungarian-born film-maker working in Finland, was at the screening and told how this movie was made with only 8,000 euros and how it was distributed without any funding from the Finnish Film Foundation (that's almost the only way to get your film properly distributed here). Jelinko also told his biggest influence in making Indebted was Nicholas Winding Refn's Pusher trilogy, which to my mind is a recommendation. Indebted tells the story of two young women, the other working for a crime gang, the other working as a prostitute to pay her bills. It's hard-hitting movie with a recklessly moving camera and some tough violence. The ending is bleak, as befits a neo-noir movie. Indebted is not going to be released on DVD or Blu-Ray, but you can watch it at Indieflix. Comes highly recommended by me. 

There could've been more neo-noirs to be shown in the festival, but there were time and schedule restrictions. Some films, such as Veikko Aaltonen's two or three stylish and hard-hitting crime films, were shown during earlier festivals. I mention some other films in the post on studio-era film noirs; link at the top of this post.

More Overlooked Movies here

Saturday, May 09, 2015

The new English translation of Linna's Unknown Soldiers

Remember I wrote about Väinö Linna's war novel Tuntematon sotilas AKA The Unknown Soldier a while back? Check it out here. I mentioned at the end of my blog post that the new English translation by Liesl Yamaguchi is on its way. It's been out some weeks now, and the first reviews have come out. Here's the first one, from Independent. It's not overtly positive, but there's not much contextualizing in the review. The critic writes like it's a new book. And I had no problem with the multitude of characters, maybe it's because the critic is too accustomed to the habit of new novels introducing the characters a tad too carefully?

There's also the issue of the slang being translated in another language. It's never easy. The Adventures of Huckleberry Finn was translated in the seventies so that the African-Americans spoke the Turku region dialect (which to many sounds funny), the same with cockney in Stoker's Dracula. It's annoying and distracting and only mildly funny. So one can understand the difficulties the translator of Linna's war novel had to come over, since there are so many dialects in the book.

But do note that the new translation is called Unknown Soldiers, not "The Soldier", as the previous, reportedly bad piece of work. I was told, by the way, that the earlier translation should've been better. Alex Matson, whom I mention in my earlier post, wanted his name left out from the book after the publishers botched his work and cut several pieces from the text.

Monday, May 04, 2015

A Most Violent Year

I'd be a rich man, if I was given a nickel every time I hear someone say that they don't make movies for adults anymore. How about trying some of these new crime films, like Prisoners or Mud or A Most Violent Year?

The last one, directed by J.C. Chandor, is a very serious film taking place in 1981, with Oscar Isaac playing a business man trying to make it big and keeping it honest, even though he's married to a mob princess. The police are interested in what he's doing, and someone is hijacking his gas trucks. There's only little violence, only one car chase, but plenty of tension and threat hovering over our hero - who's not a hero in the least, but he's no scumbag either. There's lots of interesting ambivalence in the people of the film, and in the end we are not wiser. There's a clever twist in the end, which you may or may not notice.

Chandor writes and directs with ease and sureness, which makes me want to check out his earlier films, All Is Lost (with no other actors than Robert Redford) and Margin Call.