The idea of me commenting on a Chuck Norris film is something mind-boggling, but when I found a vintage Norris film A Force of One on VHS for 10 cents, I just couldn't resist buying it. But the fact remains: every time I've tried to watch a Norris film, I've found them to be boring as hell. But I noticed this was scripted by Ernest Tidyman, who wrote the original novel and the script for Shaft. Well, that may not be a recommendation to all - it's not necessarily to me, since I've never much cared for Shaft. (And the other films scripted by Tidyman - The French Connection and High Plains Drifter - have always been a bit overrated to me.)Okay, beginning to sound like I shouldn't be writing this entry, but A Force of One actually is a somewhat interesting film, with themes of betrayal and parenthood (Norris is a father to a black kid!). It's more interesting during the first thirty minutes, when it resembles a realistic cop film, with the drug stake-outs, tough cop dialogue, relationships between cops and such, but then it gets only weird and pretty stupid, when the cops are being taught karate - to fight the bad guy, who kills cops with kung fu (or some such). I lost interest and started to leaf through some old magazines I'd gotten hold of and the film rolled on. I don't actually know what happened in the end. Someone died and Chuck Norris had a love affair with another cop.
I started to watch another old VHS cassette, Mel Brooks's 12 Chairs. I'm not sure if even that's an overlooked film being largely unfunny. (But probably the only US film made from a Soviet novel. Any other contenders? The original Twelve Chairs was written by Ilya Ilf and Yevgeni Petrov.)
More overlooked films over here.
