Lee Raintree: Dallas

And now for something completely different - or is it after all that much different from any other books I've been writing here in my blog? 

As you can see from the cover and the title, Dallas by Lee Raintree (published by Dell in 1978) is a novelization of the Dallas TV series. It's written on the basis of the original miniseries which has later been dubbed as the first season, because the series was continued after the five-part miniseries proved to be popular. Mind you, I never watched Dallas and I don't really know how faithful the book is, but luckily there's a Goodreads writer telling what the differences are (i.e. Bobby Ewing is a Vietnam veteran in the book and suffers from violent anxiety attacks). It also seems that the book has a beginning missing from the series that tells about the start of the feud between the Ewings and the Barneses. The epilogue is set in the 1920's or the 1930's, and it's quite strong and dramatic. 

Lee Raintree was really Con Sellers, a paperback writer whose books I've written earlier about in my blog (see here). He started out in very cheap sleaze paperbacks, but managed to make it big with Dallas and scored big deals with his next books. This is his only book as by Lee Raintree. 

Dallas is the fourth book I've read by him, and seems like he was a good writer with a sense for words and drama. His characters and sentences are edgy and angular, and I like that kind of style very much. This is no smooth soap opera for faint-heart middle-class ladies. There are scenes of violence and rape, and the scene near the end when two white trash men crash into the Ewing house and threaten the women of the family is very powerful. (In the book, Ellie Ewing saves the women and kills the other man, in the series Bobby and Jock Ewing come to the rescue.) Of course it also titillates readers, and after having been assaulted, Sue Ellen, the wife of J.R. Ewing, finds her hidden sexuality, which might be embarrassing to some readers. It is indeed awkward and old-fashioned. One other thing must be said: J.R. Ewing is only a mean bastard in the book (fantasizing about tying Pamela Barnes in bed and raping her), and were he to appear like that in the series, he wouldn't have proven so popular. (I noticed there's a book The Quotations of J.R. Ewing. C'mon!) It must be said, though, that at times the book can be quite long-winded, with lots of dialogue going nowhere, especially in the middle. Sellers was probably paid by the word. 

The Finnish translation which I read is quite different from the other translations or the original. It was published in hardcover (which, as far as I can see, is the only hardcover publication of the book), and it was given a nice, Polish-style cover by Finnish artist Pekka Loiri. 

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Out now: Dark Places and Little Tramps: Writings on noir, hardboiled, sleaze and other genres. 

Tuesday's Overlooked Film: LBJ: The Early Years (1987)

I can't resist buying stuff like this I find on thrift stores and other places: cheap VHS cassettes with movies that probably have never been released on DVD or don't show up on TV. LBJ: The Early Years cost me 20 cents a year ago, and I finally watched it. As it's pretty long (almost 3 hours) it took me many days to watch. The series was published on video cassette in Finnish in 1989 with the title Vallan huipulla ("Top of the Power" or some such).

LBJ: The Early Years is a solid work from director Peter Werner who's had a pretty long career on TV. For some reason, the screen writer of the mini-series isn't said anywhere, not in the credits nor in IMDb. I don't know why, certainly there's no reason for anyone to hide. LBJ: The Early Years starts from the fifties, with Johnson working in the senate, but not yet being a senator. The series follows his career in politics from running for senate and later for vice-presidency. The climax is of course the assassination of John F. Kennedy on which no time is wasted. The murder is not shown, the series focuses on the aftermath of the assassination. The series doesn't go into LBJ's actual presidency. 

I'm no expert on the US history, but the mini-series seems trustworthy on many themes, like the relationship between the Kennedys and Johnson. As the series is not about LBJ's presidency, it doesn't deal with the war in Vietnam, so it can dust off the more difficult issues. 

The best thing about LBJ: The Early Years is the lead actor. Randy Quaid makes a believable and likable Johnson, with all his quirks, Texas drawl and sudden changes in mood. Quaid is full of energy, when need be, but he's very good also portraying Johnson's depression. There are many good actors in the small roles: Kevin McCarthy, Pat Hingle, R. G. Armstrong, Barry Corbin, Royal Dano, Frances Conroy... In the narration are included several newsreels, which are used to a good effect. 

I don't know if this is regularly shown on American TV, but it could very well be. 

More Overlooked Films at Todd Mason's blog here (when they show up). 

Paul Denver: The Deadly Chance (1973)

Okay, I'm cheating here a bit. This is one of the books I'm including in my forth-coming book on British paperback crime fiction. I only browsed through the book while cycling at the gym. I think that's enough for this book, which isn't exactly quality stuff.

Paul Denver was one of the pseudonyms used by the British writer Douglas Enefer. He has no Wikipedia entry, but there's always Goodreads. I've read some of his books starring private eye Michael Power, they are mildly ok, mediocre but still entertaining enough. (Actually I first thought, over ten years ago when I was writing my first book, Pulpografia, that Denver was American.) Enefer also wrote some Cannon novelizations as by Paul Denver, and the titular The Deadly Chance is one of them. I believe the story went like this: when the bona fide American Cannon novelizations (written by Richard Gallagher) ran out, the British publisher World Distributors asked Denver to write more of them. And that's just what he did. I don't know whether Denver wrote on an outline or a screenplay of an episode or whether he just made it all up. I'll have to check that out.

The first problem is that Denver/Enefer can't write like an American. There's always a feeling someone's cheating. Denver/Enefer is clever enough though to keep descriptions at minimum. The dialogue also gives the Britishness of the author away, but that doesn't happen all that often in the Finnish translation (though it at times adds layers of its own). The story is a bit silly with its depiction of a small town drug scene, but there's a twist that might keep the reader interested. I say "might", because I skipped lots that went on interim. There's something tired about the book.

There are good British paperback crime novels out there, but this doesn't seem to be one of them. Included is the Finnish edition from 1976, published in a series that consisted only of TV novelizations.

Edit: I changed the publisher from Consul to World Distributors. They put out the Cannon novelizations written by Paul Denver. Consul published earlier paperbacks by Denver.

Tuesday's Overlooked Film: The Murder Maze

Todd Mason will start hosting a series of blog posts from around the world profiling forgotten and overlooked films. I was going to say something about a movie I found recently cheap on VHS anyway, so I thought I'd take part.

City of Angels was a short-lived private eye show in 1976, which I'd never seen, but the moment I noticed the VHS cassette in a thrift store titled Murhasokkelo/The Murder Maze I knew it was bound to be interesting. I guess this movie, made from two episodes of the TV series, was never aired in the US, as it's not mentioned anywhere in IMDb nor in the Thrilling Detective listing for the series (see the link above). I notice from the Finnish Elonet database that this was released as late as 1988 (and also in 1991).

The original TV series, with Wayne Rogers as private eye Jake Axminster in the 1930's Los Angeles, was created by Roy Huggins and Stephen J. Cannell, who usually knew what they were doing, but for some reason or another the series never caught on. I believe this movie was made to cash in on some money from foreign rental markets. Kevin Burton Smith says in his Thrilling Detective entry for City of Angels that Wayne Rogers never felt like a real PI, as he was better known as one of the M*A*S*H* jokers. He also says Rogers never liked the show himself.

The VHS compiles together the episodes "A Lonely Way to Die", written and directed by veteran Douglas Heyes, and "The Losers", written by Roy Huggins himself and directed by Across 110th Street alumni Barry Shear. The joints are very well hidden, the plots are made to intersect and interweave, they just don't follow each other, like they usually in these kind of films do. The story gets close to the complexity of Chinatown, which was obviously the model for City of Angels. The setting is the same - obnoxious private eye, bullying cops, family secrets - and the mood is the same - the perverse 1930's, glamorous Los Angeles and Hollywood. The dialogue is good, getting close to the snappy remarks of a Chandler, even using "Be missing" that Chandler wrote in one of his letters he prefers to "Get out".

There's just the fact that the plots don't really click - as the story unfolds, we are disappointed that the two storylines don't connect with each other. And Heyes and Shear have two different directorial styles, I believe it's Shear who goes for more early seventies' type of stuff, with some New Wavish ideas, scenes getting on top of each other, dialogue overlapping and all. Heyes goes for more traditional narration. Some of the characters are also not very well introduced, as they are recurring characters from the show - it took me some time to realize the purpose of Jake Axminster's secretary. I should believe, though, that these two are some of the better episodes in the original series.