I've written about Megan Abbott's earlier novels here and here. I found some extra time to read her latest, Bury Me Deep, that's been praised quite a lot in different media. It's worthy of the praise, but it's more literary and slow-paced than many of the new noir novels that have been getting attention lately. I think it's the most literary novel of Megan Abbott's works, even though Queenpin came very close to being a good example of postmodern historical novel.
Bury Me Deep is a story about a young woman who gets mixed up in foul play, usually conducted by men, just like in other novels by Megan Abbott. There are also other women, who are not what they first seem to be. Bury Me Deep takes place in 1931 and it is full of historical details, but they are quite nicely worked into the narrative flow. Especially tuberculosis plays a pretty big part in the novel.
I had some trouble getting into the rhythm of the narrative and the seemingly very accurate early thirties' vocabulary and slang, but after the things get rough, I noticed I was able to read faster. There's lots of irony and ambiguity in the ending. Abbott also has a good afterword in which she tells about the true story behind the book - which is interesting in its own right.
The cover illustration by Richie Fahey is very nice, but I don't think I'm the only one wishing there wouldn't be so much text: it hides the gun in the girl's hand totally! Someone might mistake this for a romantic novel. Couldn't be farther from that.
2 comments:
Love the cover! And I agree, less text is always a good thing (although I might be a bit biased for saying so).
I've loved every single Megan Abbott cover so far! Glorious, beautiful!
And they seem to be mercifully short, too, so maybe one of these days I might get me some.
Woerde up: bartal
"The inebriated Swedes were talking loudly of their plans of their night out at the lounge, the usual 'bartal' like they liked to call it."
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