Showing posts with label Jimmy Sangster. Show all posts
Showing posts with label Jimmy Sangster. Show all posts

Wednesday, October 08, 2008

Sangster's Private I

I finished this last night. Well, I can't actually say I finished it, because I had to stop reading some 40 pages before the actual end. I just couldn't concentrate on it in any way. I've been quarreling with my ex about many things (you may remember that they moved to Luxembourg and I haven't seen Ottilia for almost two months now and it seems that they won't be able to travel to Finland as often as I was originally told), and last night I realized that I hadn't understood anything that had been going on in the book for the last 50 pages. I didn't know what Sangster's hero, private eye John Smith, was talking about and who some of the characters were, so I thought it would be better just to drop it and read it some other time. (If you're new to this blog, scroll down a bit - there's a longer post about Sangster.)

But then I picked up the new Poe biography by Peter Ackroyd. I was tired as hell, but the book grabbed me and I read till midnight. It's a very good biography - and it's short, so it's highly recommended. (The Finnish translation just came out. I understood the book was published in UK only this year.)

Thursday, October 02, 2008

Friday's Forgotten Book: Foreign Exchange, by Jimmy Sangster

As some readers of this blog may remember, I've been doing a book on British pulp and paperback fiction for years now. It's been on a hiatus for over almost a year, mainly because I haven't had any financial support to be able to concentrate on it, but also because I find most of the British books of this sort to be a bit dull. In average, the British paperbacks are worse than their American counterparts. I don't know why this is, but I'll take a second-rate American paperbacker over a second-rate British paperbacker anytime.

This book, however, proved to be something better. I also had a right to suspect it would be: its author, Jimmy Sangster, has been one of the most prominent British screenwriters from the late fifties on, and he has penned many classic films, mainly for Hammer: The Curse of Frankenstein, Dracula, The Mummy, Taste of Fear, The Nanny... Sangster has also written some outright trash, but I read from a recent interview that he thinks the scriptwriter is not to blame, since the script always gets altered, there are always at least eight people at it before it hits the screen.

Sangster has also written thrillers, seven according to Hubin's 1975 bibliography (sorry, it was at hand and my portable's CD drive doesn't work, so I can't check a more recent edition of the biblio). His first novel is The Man Who Could Cheat Death from 1959 (Avon; so it's an American book?), written with Barre Lyndon. There was a movie based on this, so it's probably a novelization.

His first solo novel seems to have been a novelization of his own script, The Terror of the Tongs (Digit 1962), which seems like it was a paperback original. The film is not horror - it's more of an actioneer. His first original book was Private I (Triton 1967), which I'm reading at the moment and which he followed with Foreign Exchange (Triton 1968). And that's the book I recently read and enjoyed. Sangster is no second-rate British paperbacker (and this was originally a hardback, even though the Finnish translation was a PBO; FWIW, it's Manhattan No. 73, from 1970).

Private I and Foreign Exchange feature John Smith, who works as a private eye after retiring from the British Intelligence. In the both books he gets a new job from his former boss, Max, and he takes both with long teeth. (Isn't this an appropriate phrase here?) John Smith is a coward and not very good at his job, and his PI jobs are not much: usually he peeks at husbands cheating on their wives. His spy assignments are not much better: in Foreign Exchange he's imported to the Soviet Union, playing to be a tractor salesman, in order to get caught by the KGB, because the Brits want to change some political prisoners with the Soviets and they need a pawn. As you might guess, John Smith gets into trouble, especially when he's told that the Soviet spy the Brits want to swap is actually dead. Smith is sentenced into 15 years of hard labour in Siberia.

There's not much action in the book, but it moves along swiftly and Sangster makes John Smith a sympathetic character, who's rather close to Stephen "Hank Janson" Frances's Leftist spy John Gail. The book is funny, but it isn't parodic, which is a good thing in my mind (parodies become outdated pretty soon). Smith's personal life is drawn into the mix with interesting results. There seems to be a TV movie based on this, anyone seen it? (And Private I, too.)

I'm only some 50 pages into Private I, but it also reads like a very good book. Recommended. (Besides the Finnish and the American editions of Foreign Exchange you'll have the American edition of Private I. Sleazy, huh? It's by Lancer.)

My contribution to this Friday's Forgotten Book series, concocted by Patti Abbott.