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I often find comfort in the work of Michael Connelly, and The Drop proved no exception (Luottamuksen hinta in Finnish). Harry Bosch is a very likable character in his grumpiness and Connelly plots like a master - I still find it very distracting that he said he doesn't plot beforehand, he just makes it up as he writes and corrects afterwards. But The Drop was too long, only because Connelly decides to explain some of the things that are taking place or Bosch or the other cops are doing, I don't know if this has something to do with the American readers - do publishers think they are stupid and make their authors put all these explanations in their books? I mean I can do fine with less facts, less explaining. Still, The Drop was entertaining. Should reread some of Connelly's earlier novels, stuff like Trunk Music and City of Bones is cracking good.
I also read some e-books on my Kindle. I don't have a credit card and I have to rely on books that can be loaded free from Amazon. Luckily I have quite a few Facebook friends who like to post about such things, and I have a pretty good collection of newish indie noir and western stuff, with a bit of new pulp thrown in. I read one short story by Lawrence Block ("Like a Thief in the Night", supposed to be published in Playboy, but never came out, exquisite story telling) and two novels and one novella of which short reviews have to suffice:
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Jake Bible: Z-Burbia: mediocre zombie novel that's too reminiscent on The Walking Dead, but some nice touches here and there and a likable narrator, also with some seriously nasty characters some of whom turn out to be so nasty after all. The book starts well, but starts to lag soon. Finished it nevertheless, the climax was better.
Rob Hart: The Last Safe Place: another zombie story, in novella length, but actually quite atmospheric and with a clever twist. Hart seems to come highly recommended by the noir gang.
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I also read the latest Finnish translation by the 2014 Nobel prize winner Patrick Modiano (So You Don't Get Lost in the Neighbourhood in Enligsh). If you're in the mood for some melancholic mystery, Modiano is your man, though he's no crime writer. There's still not much differentiating him from the likes of Sebastian Japrisot or other French crime novelists of the 1950's and 1960's. Should be reading more of that stuff. I realized reading this that Modiano possibly affected my short novel on Lovecraft in Hollywood, called Haamu ("Ghost"). The same short sentences, the same melancholy feel are there.
Ernesto Sábato's The Tunnel also belongs to the same category: a literary novel that could be seen as a crime novel. Originating from 1948, this novel by the Argentine writer is dark psychological suspense about a sociopathic artist who torments a young lady, whom he sees as his lover. It's not surprising this has been compared to Camus's The Outsider.
More on the artsy side was also David Markson's Reader's Block (1996) that was recently translated in Finnish for the first time, as Lukijan luomislukko. Markson had another foot in the world of pulp, as he wrote three beatnik private eye paperbacks in the early sixties and also a Western novel called The Ballad of Dingus Magee (later turned into a film, which I haven't seen). Reader's Block is no pulp, though, it's a collection of fragments snatched from other books, including trivia on how famous and not so famous writers have died. It's a fascinating read, though not for everyone obviously. It's quite light, though, and I found it pretty hypnotizing. There's also a quote in which Markson (or his narrator or narratee) says that John D. MacDonald was a better writer than Saul Bellow! I've never really liked MacDonald, so I don't know, but the quote cracked me up nevertheless.
After Markson and Modiano I thought I should get back to work and work-related reading. I decided still to dip into Bill Pronzini's Games of which I'd heard good things. And it proved to be a pretty good and suspenseful thriller, though the ending was a bit of a let-down and misogynistic at that. But then again, noir and hardboiled are full of misogyny. Still glad I finally read the book.
Now I'm reading a Zane Grey and thinking I really should get back to work. It's just that after a large body of work it's hard to concentrate on other books, not really knowing what to focus on. I have some news coming up, so stay tuned!
PS. I realize after posting this that all the authors I read were male. Oh well, have to remedy that.
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