Showing posts with label Gil Brewer. Show all posts
Showing posts with label Gil Brewer. Show all posts

Wednesday, October 07, 2015

Gil Brewer: The Red Scarf

A Crest reprint
Gil Brewer was one of the best crime and noir paperbackers of the fifties and early sixties. I've read several of his novels in Finnish translation and liked them all. They are fast and plausible, and the protagonists have to overcome some heavy obstacles in their way.

Same goes for The Red Scarf (1958). It was published in hardcover by Mystery House, a cheap lending-library publisher that paid $300 for the book, after it was rejected by Brewer's usual publisher, Fawcett Gold Medal, and other paperback publishers. Still it's an outstanding book, one of Brewer's best, which is saying a lot. This is one of those books where your typical lower middle-class working person gets into a trouble, can't find his (or her) way out of it and just digs his hole deeper and deeper. In The Red Scarf the protagonist is a nice young man who runs a motel with his wife. They have no money and it seems there won't be the new highway that was promised when they bought the motel. Then a femme fatale comes in, with loads of money. It's just that the money belongs to the mob. (You'll find a longer description of the book at Mystery*File, by Bill Pronzini and Lynn Munroe.)

The Red Scarf is very well paced and tightly written little monster of a book. Before I read it, I was struggling with another book from the same era and thinking they must be all like this, but I was delighted to find Brewer's book just blew me away. I couldn't stop reading. The most important thing about this kind of a book is that it remains believable through the end - and the ending is not the most happy one.

By the way, Gil Brewer doesn't have a Wikipedia article! Quick, someone!

Wednesday, October 08, 2014

Errors circulating about Gil Brewer's career

I just spotted this blog post via the Facebook group for Gil Brewer fans. It's a review of The Vengeful Virgin, Brewer's novel that was reprinted by Hard Case Crime some years ago. (Mind you, I've never read it, maybe it's about time!) There are some glaring errors I want to point out.

First of all, Gil Brewer didn't start writing at the age of seven. He was born in 1922, so he couldn't have started out in pulp magazines in 1929! It was his father. I know where this originates from: the St. James to The 20th Century Crime and Mystery Writers, but I believe it's been corrected in later editions. Anyone should see it's plain wrong, but apparently not.

Second, Gil Brewer didn't hit the pages of Black Mask, but then again, his first novel was published in 1950, and Black Mask ceased publication in 1951! And as for someone not publishing in Black Mask, let me point out that Fredric Brown - whom we all consider a genius, right? - published only one story in Black Mask. And Manhunt that has been one of the most influential crime short story magazines in history was Brewer's mainstay for years.


Sunday, December 02, 2012

Gil Brewer: The Brat

I meant to do this for the Friday's Forgotten Book series, but I didn't have enough time on my hands. I've been rather tired lately - frustrated even - and am already on some sort of a Christmas vacation (which the tax refund, paid to me by the state of Finland, makes possible). I've been doing too much work for the past couple of years and it's starting to show.

Sorry, didn't mean to vent. Gil Brewer's The Brat (1957) is a prime example of Brewer's mix of white-collar noir and backwoods exoticism: "the brat" of the title is a sultry babe living somewhere in the Florida swamps whom the lead man takes away to the civilization to live with her - only to notice that "the brat" has something in her mind.

I'm sure The Brat was the publisher's title, since this babe sure is no brat, she's an evil liar and a scumbag. You might call Brewer - or at least his books - misogynistic and you'd well be right. But there's no denying the simple, yet forceful narrative drive in the best of his works. An important issue is also his handling of the bourgeoisie despair: there's not much living beyond the boundaries of the family and work. And when these boundaries break, the nightmare awaits.

I don't really like the cover of the book. It looks like the femme fatale of the book is wearing diapers.

The book is readily available from Prologue Books as an e-book. (I read this from my Kindle and I'm not complaining any about it.)


Sunday, April 03, 2011

Gil Brewer's bibliography

Just a quick note: here's a pretty complete bibliography for Gil Brewer's short story fiction, with some discoveries (i.e. Gil Brewer wrote some short stories as by Jack Holland).

Monday, June 01, 2009

Some Swedish paperback covers: Whittington and Brewer



Here are two paperback covers for Swedish translations of books by two American paperback masters, Harry Whittington and Gil Brewer.

Gil Brewer's Drömmen om ett mord ("Dream of a Murder"; Kometdeckaren #167, 1967) was originally titled Flight to Darkness (Gold Medal 1952). It's a noir thriller about an artist who sees recurring dreams of killing his own brother. I've read this, but can't remember much about it, except that I liked it quite a bit. The Swedish cover is probably Spanish in origin.

The Harry Whittington one is En skön död ("Beautiful Death"; Kometdeckaren #169, 1967) was originally titled Drawn to Evil (Ace 1952) which I haven't read. I'd like hear comments from those who have. I'm sure Bill Crider has. There's a signature beside the lady, but I can't make it out. I'm not sure whether it's American or European in origin.
I'll post tomorrow more about Kevin Wignall's Kuka on Conrad Hirst? I just wanted to get these out of the way - was cleaning the study a bit.