Dorothy M. Johnson: The Man Who Shot Liberty Valance, and A Man Called Horse

I've been going through some American Western classics that have never been translated in Finnish, for some reason or another (someone might remember I read Thomas Berger's Little Big Man over a year ago; this has to do with the same project). First I tackled Michael Ondaatje's pretty cryptic The Collected Works of Billy the Kid. I can't say I understood all of it, but nevertheless managed through (and even wrote an essay on it!).

Secondly, I read two short stories by Dorothy M. Johnson, in the collection called Indian Country. Now, she seems to be a bona fide American classic, but she's never been translated in Finnish, and I can't see why not. She's a very good writer, with a somewhat hardboiled and even modernist understated style to her writing ("less is more", one might say), and her stories are actually closer to the later cycle of revisionist Westerns than the classic Westerns.

"The Man Who Shot Liberty Valance", possibly her best known short story, differs greatly from John Ford's film, and to its advantage, I might say. I for one am more interested in the seedy characters of Johnson than the pleasantries of James Stewart or the macho posturing of John Wayne. Johnson's Ranse Foster (Stoddard in the film) is an unpleasant and uppity young man who almost deserves to get whipped by Liberty Valance, and Bert Barricune - the film's Tom Doniphon (I don't know why they changed the names) - isn't the brave and courageous man of Ford's film. He even ends up in jail in Johnson's story. The ending is also different, and better than in the film, in my mind, but you'll have to read the story to find out.

John Ford's film is deservedly a classic, though it has its setbacks, but "A Man Called Horse" is definitely better than the sensational film. Here Johnson produces a dignified narrative of a man captured by the Crows (in the film they are Sioux). Johnson's story doesn't have the exploitative self-torture scenes of the film, and it's more mundane, which makes it seem more realistic. The ending is touching.

I didn't have the time to read more Johnson, though I definitely intend to. Her "The Hanging Tree" was also made into a film, and here's an interesting essay on the troubled history of the short story or novellette (or novella). The writer doesn't really seem to like Johnson's writing, and I think she's mistaken when she says Johnson relies on stereotypes, but the story behind "The Hanging Tree" is intriguing. Feels like Johnson stopped writing Westerns after the frustrating experience.

Michael AKA Mike Hervey, pt. 2

I promised to say something about short story writer Mike Hervey's short stories. I covered what I know of his life in this post. It's not much and lots is mere speculation.

Same goes for his short stories. I can't say I read them carefully, many I only eyed lazily. Lots were translated in Finnish and published in mags in the late fourties and the fifties. As you remember, he had a magazine to his own name in Australia, called The Mike Hervey Detective Monthly Magazine. The Finnish magazine called Salapoliisilukemisto (Detective Digest; see photo) seems to have taken its stories from that magazine, since it had issues that contained only stories by Hervey! And many were straight from the Australian magazine.

Hervey was as prolific as hell, writing over 3000 short stories in a span of ten years. That must show in the quality of his stories. Many are pretty simple, focusing on the twist at the end, as in the story "Death of a Widow" (1953). There's not much description of the scenery, nor is there much character development. Most of the characters are what's usually called stock characters: detective, police officer, career criminal, deceitful babe, disappointed wife, etc. In "Nick to the Rescue" (1953) that's almost of a flash fiction length we get both the career criminal and the deceitful babe. There are some variations, though. "Death on Wheels" (1953) is about a race driver who's forced to win in a race. If he loses, he'll be killed.

Some of the stories are science fictional, for example in the story called "In the Year 2500" (I don't know the original title, and I don't even know what really takes place in the story). "You Can't Deceit Faith" (the original title missing, probably from 1953) is about foreseeing the future and clairvoyance.

I realize this isn't much, but it's a start! There's not much info on Mike Hervey in the web.

Al Nussbaum collection!

Al Nussbaum was a famous bankrobber and a friend and colleague of the hardboiled classic Dan J. Marlowe who churned out short stories in the early seventies. His son is now raising money to publish a collection of Al's stories.

Forgotten Short Story Friday: Tom Blackburn and George Michener

As Patti Abbott suggested, this Friday's Forgotten prose entries should be about short stories. I thought immediately about two western short stories that stuck to my mind when I was researching the Finnish pulp and other fictionmags some years back writing my books Six Guns and Five Guns (the latter is exclusively about short stories in magazines). The other story is by Tom Blackburn, the other one is by George Michener.

Tom Blackburn is better known of the two. He lived from 1926 to 1997 and wrote pulp stories from the thirties on. Later he did lots of novels, both in paperback and hardback. He was never a bestseller, but he's a firm part of the fifties' western renaissance that was heavily featured in paperback originals.

The one short story I've read from Blackburn is called "Then There Were None". It appeared in Dime Western, July 1950 (and the Finnish translation came in Seikkailujen Maailma 7/1956). It's a gripping noir story, with full of violence and unexpected twists, all in a very short form, handled convincingly. The story starts with the boss of the criminal gang waking up and killing one of his mates and trying to convince the others that the dead man attempted to shoot him. Involved is a stupid young boy who idolizes these gangsters. As noir as a western can be.

Now, George Michener we know nothing about. He wrote primarily westerns for the short story market, starting from the mid-thirties and magazines like West and Ace-High Magazine, and giving up in the early fifties. His one story was called in the Finnish translation "The Scarface's Revenge" (Seikkailujen Maailma 10/1951), which doesn't match those found in the Fictionmags Index. It's a great story nevertheless: Scarface, mentally and fysically disturbed criminal, returns to his old haunts and gathers up his old gang, but they have a new boss. He decides to kidnap the sheriff's kid - and it turns out the sheriff is Scarface's half-brother. Very violent and disturbing - a noir western in the mold of Blackburn's story above.

PS. Just thought to Google and found this. I didn't know that Blackburn wrote lyrics for Disney films!

Michael Zuroy's Holmes parody

Michael Zuroy is one of those short story writers who worked primarily in the fifties, sixties and seventies and never (at least it seems so, maybe under a pseudonym?) wrote a novel. And Zuroy, like so many others, wrote primarily for two magazines, Alfred Hitchcock's Mystery Magazine and Ellery Queen's Mystery Magazine.

But Zuroy also wrote for Broadway Laughs. Here's his short-short story, "The Case of the Silent Witness", from that magazine. The issue is December, 1964. The story is a Sherlock Holmes parody. Click the photos to enlarge them.

I have somewhere here another humour mag, called Army Fun, but I don't really know where... It also has a Zuroy story in it.

Here's August West on Zuroy, and, well, that's about it for him in the net. But, oops, wait a minute, it seems that Michael Zuroy has a novel after all: in 1992, he published a hardcover novel called Second Death, with Walker. Seems to be a medical thriller.